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TheStreetofCrocodiles

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Translator's Preface He was small, unattractive and sickly, with a thin angular body and brown, deep-set eyes in a pale triangular face. He taught art at a secondary school for boys at Drogobych in southeastern Poland, where he spent most of his life. He had few friends outside his native city. In his leisure hours—of which there were probably many— he made drawings and wrote endlessly, nobody quite knew what. At the age of forty, having received an introduction through friends to Zona Nalkowska, a distinguished novelist in Warsaw, he sent her some of his stories. They were published in 1934 under the title of Cinnamon Shops—and the name of Bruno Schulz was made. Three years later, a further collection of stories, with drawings by the author, Sanatorium under the Sign of the Hourglass, was published; then The Comet, a novella, appeared in a leading literary weekly. In between, Schulz made a translation of Kafka's The Trial. It is said that he was working on a novel entitled The Messiah, but nothing has remained of it. This is the sum total of his literary output. After his literary success, he continued to live at Drogobych. The outbreak of......

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